Deadites return in the gruesome trailer for “Evil Dead Burn”

Souheila Yacoub, Tandi Wright, Hunter Doohan, Luciane Buchanan, Errol Shand, Maude Davey, George Pullar, Greta Van Den Brink

‘Midnight Girls’ Review: Humanizing the Grind Behind the Neon Lights

At its heart, Midnight Girls shows that for these women, working was never about themselves. They aren’t doing this for ego or fun; they’re doing it for their families, their kids, and their futures. Everything they endure is for the sake of others. If you want a movie that shows the truth instead of masking the glamour behind the neon lights, this film will give you that.

‘Mortal Kombat II’ Review: A Flawless Victory in Entertainment

While it may not be perfect or life-changing, the sheer level of entertainment on display here is undeniable. When you factor in the breathtaking fight scenes, the inclusion of genuinely fun characters, and the jump to highly impressive visuals, this sequel feels roughly 10x better than its predecessor in almost every department. It manages to capture the specific magic of the games while standing on its own as a high-octane blockbuster.

QCinema introduces the 2026 batch of QCShorts filmmakers

The QCinema International Film Festival has announced the recipients of its 2026 QCShorts grant, distributing ₱3.5 million ($57,817) across five short film projects by Filipino filmmakers based in the Philippines.

The selected filmmakers and their projects are: Carla Pulido Ocampo (“Agsangit Laeng ti Al-alia”), Clister Santos (“Sana’y Nandito Ka”), Maki Makilan (“Body Works”), Rodiell Veloso (“Run Shirley Run!”), and Toni Cañete (“Maanaa Kanimo”).

‘Almost Us’ Review: Crossing The Line From Best Friends to Lovers

JM Ibarra is so good in the dramatic scenes. You can feel that he knows his character well; he knows how RR feels and he knows what RR wants and how his character will move forward. Fyang Smith is effective and effortless in the comedic scenes; you’d be questioning yourself if some of the funny scenes were actually scripted or not. The way their styles clash and click at the same time is what makes the movie work; JM provides the emotional anchor while Fyang brings the fun parts.